{"id":1141,"date":"2026-09-09T15:26:37","date_gmt":"2026-09-09T13:26:37","guid":{"rendered":"https:\/\/www.onickz.com\/production\/?post_type=portfolio&#038;p=1141"},"modified":"2026-10-10T10:02:52","modified_gmt":"2026-10-10T08:02:52","slug":"lun-passe-dun-reve-court-metrage-dantoine-sextier","status":"publish","type":"portfolio","link":"https:\/\/www.onickz.com\/production\/portfolio\/lun-passe-dun-reve-court-metrage-dantoine-sextier","title":{"rendered":"L\u2019un passe d\u2019un r\u00eave"},"content":{"rendered":"\n<style>\n#post-1141{max-width:1180px;margin:auto}#post-1141 .entry-header{margin-bottom:32px}#post-1141 .entry-title{justify-content:flex-start;text-align:left;font-size:clamp(44px,6vw,80px);letter-spacing:-.045em;line-height:1.05;padding-bottom:24px}#post-1141 .entry-meta .row,#post-1141 .single-post__details-right{justify-content:flex-start}#post-1141 .entry-content{font-size:17px;line-height:1.7}#post-1141 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#page{background:transparent;position:relative;z-index:1}#post-1141{box-sizing:border-box;max-width:1280px;padding:clamp(24px,4vw,56px);background:rgba(16,21,21,.78);backdrop-filter:blur(18px);-webkit-backdrop-filter:blur(18px);border:1px solid rgba(255,255,255,.16);border-radius:12px;box-shadow:0 24px 90px rgba(0,0,0,.3)}#post-1141 .entry-title{font-size:clamp(36px,5vw,68px)}#post-1141 .pd-contact-panel{margin-top:48px;padding:32px;background:rgba(255,255,255,.065);border:1px solid rgba(255,255,255,.2);border-radius:6px}#post-1141 .entry-content .pd-contact-panel h2{border:0;padding:0;margin:0 0 12px!important;font-size:28px!important}#post-1141 .pd-contact-panel p{margin:0 0 24px;color:#d3dfdc}#post-1141 .pd-contact-options{display:grid;grid-template-columns:1fr 1fr;gap:16px}#post-1141 .entry-content .pd-contact-options a{display:flex;flex-direction:column;gap:6px;border:1px solid rgba(141,215,220,.35);border-radius:4px;padding:20px;color:#fff;background:rgba(8,16,15,.4);text-decoration:none;overflow-wrap:anywhere;min-width:0}#post-1141 .pd-contact-options a span{font-size:11px;letter-spacing:.14em;text-transform:uppercase;color:#8dd7dc}#post-1141 .pd-contact-options a strong{font-size:18px;font-weight:500}#post-1141 .pd-contact-options a:hover{background:rgba(141,215,220,.13);border-color:#8dd7dc}#post-1141 .pd-contact-options a:focus-visible{outline:2px solid #8dd7dc;outline-offset:4px}@media(max-width:700px){#post-1141{padding:24px 18px;border-radius:8px}#post-1141 .pd-contact-options{grid-template-columns:1fr}#post-1141 .pd-contact-panel{padding:22px 16px}#post-1141 .pd-contact-options a{padding:16px}#post-1141 .pd-contact-options a strong{font-size:16px}}\n<\/style>\n<section class=\"pd-hero\" aria-label=\"Pr\u00e9sentation du projet\"><img decoding=\"async\" src=\"https:\/\/www.onickz.com\/production\/wp-content\/uploads\/2026\/09\/court-metrage-Lun-passe-dune-reve-par-Antoine-Sextier-direction-de-la-photographie-et-montage-Guillaume-Louyot-Onickz-Artworks-1-800x450.jpg\" alt=\"Un homme marche au centre d\u2019une all\u00e9e bord\u00e9e d\u2019arbres dans L\u2019un passe d\u2019un r\u00eave.\" fetchpriority=\"high\"><div><p class=\"pd-kicker\">Le projet \u00b7 Onickz Artworks<\/p><div class=\"pd-intro\"><p><strong>Direction de la photographie, montage, \u00e9talonnage et postproduction par Onickz Artworks<\/strong><\/p><p>Pour <em>L\u2019un passe d\u2019un r\u00eave<\/em>, deuxi\u00e8me court m\u00e9trage r\u00e9alis\u00e9 par <strong>Antoine Sextier<\/strong>, Guillaume Louyot \/ Onickz Artworks a accompagn\u00e9 le film de sa mise en images jusqu\u2019\u00e0 sa finalisation, en assurant la <strong>direction de la photographie, le montage, l\u2019\u00e9talonnage et la postproduction<\/strong>.<\/p><\/div><\/div><\/section>\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-930feb06 wp-block-columns-is-layout-flex\">\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n\n\n\n\n\n\n<p class=\"wp-block-paragraph\">Tourn\u00e9 en juillet 2025, le film d\u00e9veloppe un univers \u00e0 la fronti\u00e8re du r\u00e9el et de l\u2019\u00e9trange, dans lequel l\u2019image devient progressivement le r\u00e9v\u00e9lateur de ce qui \u00e9chappe au regard.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" style=\"margin-top:40px;margin-bottom:20px;font-size:clamp(15.747px, 0.984rem + ((1vw - 3.2px) * 0.897), 24px);\">L\u2019un passe d\u2019un r\u00eave : un court m\u00e9trage entre r\u00e9el et \u00e9trange<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Un jeune r\u00e9alisateur d\u00e9ambule, cam\u00e9ra \u00e0 la main, dans une paisible banlieue \u00e0 la recherche d\u2019une vibration secr\u00e8te du r\u00e9el.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Peu \u00e0 peu, quelque chose se d\u00e9r\u00e8gle.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sur l\u2019\u00e9cran de son cam\u00e9scope appara\u00eet une pr\u00e9sence que ses propres yeux ne peuvent percevoir. Le dispositif de tournage devient alors une ouverture vers un autre niveau de r\u00e9alit\u00e9, brouillant progressivement la fronti\u00e8re entre observation, cin\u00e9ma et apparition.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" style=\"margin-top:40px;margin-bottom:20px;font-size:clamp(15.747px, 0.984rem + ((1vw - 3.2px) * 0.897), 24px);\">Bande-annonce<\/h2>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\">\n<div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Bande annonce court m\u00e9trage &quot;L&amp;apos;un passe d&amp;apos;un r\u00eave&quot; un film d&amp;apos;Antoine Sextier\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/zCPfZvUSj3o?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div>\n<\/figure>\n\n\n\n<h2 class=\"wp-block-heading\" style=\"margin-top:40px;margin-bottom:20px;font-size:clamp(15.747px, 0.984rem + ((1vw - 3.2px) * 0.897), 24px);\">Direction de la photographie en lumi\u00e8re naturelle<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">La mise en images devait pr\u00e9server l\u2019apparente simplicit\u00e9 du r\u00e9el tout en permettant \u00e0 l\u2019\u00e9tranget\u00e9 de s\u2019y introduire progressivement.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Le tournage s\u2019est d\u00e9roul\u00e9 <strong>en lumi\u00e8re du jour, sans \u00e9clairage additionnel<\/strong>. Le passage fr\u00e9quent des nuages constituait une difficult\u00e9 concr\u00e8te : il fallait composer avec une lumi\u00e8re changeante tout en veillant \u00e0 la coh\u00e9rence visuelle des plans. Ce travail d\u2019adaptation au plateau accompagnait le passage du quotidien vers l\u2019\u00e9tranget\u00e9, sans rompre avec le naturalisme du film.<\/p>\n\n\n<p class=\"wp-block-paragraph\">Un <strong>dispositif cam\u00e9ra simple et rapidement reconfigurable<\/strong> permettait d\u2019alterner fr\u00e9quemment entre \u00e9pauli\u00e8re, stabilisateur Ronin, tr\u00e9pied et cam\u00e9ra \u00e0 main lev\u00e9e. Les syst\u00e8mes de fixation ont \u00e9t\u00e9 adapt\u00e9s pour rendre ces supports imm\u00e9diatement interchangeables et limiter le temps consacr\u00e9 aux changements de configuration.<\/p>\n\n\n<p class=\"wp-block-paragraph\">La prise de vue associait des <strong>optiques manuelles des ann\u00e9es 1960 et 1970<\/strong> \u00e0 un enregistrement <strong>6K RAW, pour une finalisation en 4K DCI<\/strong>. Cette combinaison r\u00e9unit le caract\u00e8re des optiques anciennes et un flux de postproduction num\u00e9rique \u00e0 haute d\u00e9finition.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Guillaume Louyot : directeur de la photographie<\/strong><\/p>\n\n\n\n<h2 class=\"wp-block-heading\" style=\"margin-top:40px;margin-bottom:20px;font-size:clamp(15.747px, 0.984rem + ((1vw - 3.2px) * 0.897), 24px);\">Montage et \u00e9talonnage<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Le montage construit progressivement le glissement du r\u00e9cit vers l\u2019\u00e9trange, en travaillant sur le regard du personnage, les attentes du spectateur et la relation entre ce qui est observ\u00e9 directement et ce que r\u00e9v\u00e8le la cam\u00e9ra.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">L\u2019\u00e9talonnage prolonge cette intention en donnant au film une identit\u00e9 visuelle coh\u00e9rente tout en accompagnant subtilement ses changements de perception.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\">\n<img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"450\" src=\"https:\/\/www.onickz.com\/production\/wp-content\/uploads\/2026\/09\/court-metrage-Lun-passe-dune-reve-par-Antoine-Sextier-direction-de-la-photographie-et-montage-Guillaume-Louyot-Onickz-Artworks-1-800x450.jpg\" alt=\"Un homme marche au centre d\u2019une all\u00e9e bord\u00e9e d\u2019arbres dans L\u2019un passe d\u2019un r\u00eave.\" class=\"wp-image-1147\" srcset=\"https:\/\/www.onickz.com\/production\/wp-content\/uploads\/2026\/09\/court-metrage-Lun-passe-dune-reve-par-Antoine-Sextier-direction-de-la-photographie-et-montage-Guillaume-Louyot-Onickz-Artworks-1-800x450.jpg 800w, https:\/\/www.onickz.com\/production\/wp-content\/uploads\/2026\/09\/court-metrage-Lun-passe-dune-reve-par-Antoine-Sextier-direction-de-la-photographie-et-montage-Guillaume-Louyot-Onickz-Artworks-1-300x169.jpg 300w, https:\/\/www.onickz.com\/production\/wp-content\/uploads\/2026\/09\/court-metrage-Lun-passe-dune-reve-par-Antoine-Sextier-direction-de-la-photographie-et-montage-Guillaume-Louyot-Onickz-Artworks-1-768x432.jpg 768w, https:\/\/www.onickz.com\/production\/wp-content\/uploads\/2026\/09\/court-metrage-Lun-passe-dune-reve-par-Antoine-Sextier-direction-de-la-photographie-et-montage-Guillaume-Louyot-Onickz-Artworks-1-1536x864.jpg 1536w, https:\/\/www.onickz.com\/production\/wp-content\/uploads\/2026\/09\/court-metrage-Lun-passe-dune-reve-par-Antoine-Sextier-direction-de-la-photographie-et-montage-Guillaume-Louyot-Onickz-Artworks-1.jpg 2000w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/>\n<\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Montage et \u00e9talonnage : Guillaume Louyot \/ Onickz Artworks<\/strong><\/p>\n\n\n\n<h2 class=\"wp-block-heading\" style=\"margin-top:40px;margin-bottom:20px;font-size:clamp(15.747px, 0.984rem + ((1vw - 3.2px) * 0.897), 24px);\">Postproduction<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Onickz Artworks a \u00e9galement assur\u00e9 la <strong>postproduction du film<\/strong>, en coordination avec les diff\u00e9rents intervenants artistiques et techniques jusqu\u2019\u00e0 la fabrication de la version finale.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Cette implication sur plusieurs \u00e9tapes du projet a permis de conserver une continuit\u00e9 entre les choix effectu\u00e9s au tournage, la construction du film au montage et son rendu d\u00e9finitif.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" style=\"margin-top:40px;margin-bottom:20px;font-size:clamp(15.747px, 0.984rem + ((1vw - 3.2px) * 0.897), 24px);\">Distribution et \u00e9quipe du film<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Avec :<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Daniel Aymara Rodriguez Bianchini<\/strong><br>\n<strong>Judith Haggiag<\/strong><br>\n<strong>Nouha Alaya<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Un film d\u2019<strong>Antoine Sextier<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Direction de la photographie, montage, \u00e9talonnage et postproduction : <strong>Guillaume Louyot \/ Onickz Artworks<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Musique : <strong>Christophe Danvin<\/strong><br>\nSon direct : <strong>Matthieu Roth<\/strong><br>\nMontage son : <strong>Colin Idier<\/strong><br>\nMixage : <strong>Matthieu Dallaporta<\/strong><br>\nEffets vid\u00e9o : <strong>Ahmed Laroui<\/strong><br>\nMaquillage : <strong>Joyce Ibanez<\/strong><br>\nStoryboard : <strong>Yosr Ben Romdane<\/strong><br>\nG\u00e9n\u00e9rique : <strong>Florent Oesterl\u00e9<\/strong><br>\nAffiche : <strong>Tim Vin<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Production \/ distribution : <strong>Cint\u00e1mani Films<\/strong><br>\nDistribution internationale : <strong>Rod Saez<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\">\n<img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"450\" src=\"https:\/\/www.onickz.com\/production\/wp-content\/uploads\/2026\/09\/court-metrage-Lun-passe-dune-reve-par-Antoine-Sextier-direction-de-la-photographie-et-montage-Guillaume-Louyot-Onickz-Artworks-2-800x450.jpg\" alt=\"Deux femmes s\u2019\u00e9treignent au soleil devant des arbres dans L\u2019un passe d\u2019un r\u00eave.\" class=\"wp-image-1146\" srcset=\"https:\/\/www.onickz.com\/production\/wp-content\/uploads\/2026\/09\/court-metrage-Lun-passe-dune-reve-par-Antoine-Sextier-direction-de-la-photographie-et-montage-Guillaume-Louyot-Onickz-Artworks-2-800x450.jpg 800w, https:\/\/www.onickz.com\/production\/wp-content\/uploads\/2026\/09\/court-metrage-Lun-passe-dune-reve-par-Antoine-Sextier-direction-de-la-photographie-et-montage-Guillaume-Louyot-Onickz-Artworks-2-300x169.jpg 300w, https:\/\/www.onickz.com\/production\/wp-content\/uploads\/2026\/09\/court-metrage-Lun-passe-dune-reve-par-Antoine-Sextier-direction-de-la-photographie-et-montage-Guillaume-Louyot-Onickz-Artworks-2-768x432.jpg 768w, https:\/\/www.onickz.com\/production\/wp-content\/uploads\/2026\/09\/court-metrage-Lun-passe-dune-reve-par-Antoine-Sextier-direction-de-la-photographie-et-montage-Guillaume-Louyot-Onickz-Artworks-2-1536x864.jpg 1536w, https:\/\/www.onickz.com\/production\/wp-content\/uploads\/2026\/09\/court-metrage-Lun-passe-dune-reve-par-Antoine-Sextier-direction-de-la-photographie-et-montage-Guillaume-Louyot-Onickz-Artworks-2.jpg 2000w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/>\n<\/figure>\n\n\n\n<h2 class=\"wp-block-heading\" style=\"margin-top:40px;margin-bottom:20px;font-size:clamp(15.747px, 0.984rem + ((1vw - 3.2px) * 0.897), 24px);\">Un accompagnement de la prise de vue \u00e0 la postproduction<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Onickz Artworks intervient sur des productions de fiction, documentaires, films de marque et contenus \u00e9ditoriaux, avec la possibilit\u00e9 de prendre en charge tout ou partie de la cha\u00eene de fabrication : <strong>r\u00e9alisation, direction de la photographie, prise de vue, montage, \u00e9talonnage, compositing et postproduction<\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Vous pr\u00e9parez un court m\u00e9trage ou recherchez un partenaire pour son image ou sa postproduction ?<\/strong> \u00c9changeons sur votre intention de r\u00e9alisation, les \u00e9tapes \u00e0 accompagner et votre calendrier. Je peux intervenir sur une mission cibl\u00e9e ou assurer la continuit\u00e9 entre la prise de vue, le montage et l\u2019\u00e9talonnage.<\/p>\n\n\n\n<aside class=\"pd-contact-panel\" aria-labelledby=\"pd-contact-heading\"><p class=\"pd-kicker\">Un projet en pr\u00e9paration ?<\/p><h2 id=\"pd-contact-heading\">Parlons de votre projet<\/h2><p>\u00c9changeons sur vos besoins et votre calendrier.<br>Guillaume Louyot \u00b7 Onickz Artworks<\/p><div class=\"pd-contact-options\"><a href=\"mailto:procontact@onickz.com\"><span>\u00c9crire un e-mail \u2197<\/span><strong>procontact@onickz.com<\/strong><\/a><a href=\"tel:+33619011766\"><span>Appeler \u2197<\/span><strong>+33 6 19 01 17 66<\/strong><\/a><\/div><\/aside>\n\n\n\n<p class=\"wp-block-paragraph\">D\u00e9couvrez \u00e9galement mon travail sur le <a href=\"https:\/\/www.onickz.com\/production\/portfolio\/albeirovargas\">t\u00e9moignage film\u00e9 d\u2019Albeiro Vargas<\/a> et d\u2019autres projets dans le <a href=\"https:\/\/www.onickz.com\/production\/\">portfolio Onickz Artworks<\/a>.<\/p>\n\n<\/div>\n\n\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Le projet \u00b7 Onickz Artworks Direction de la photographie, montage, \u00e9talonnage et postproduction par Onickz Artworks Pour L\u2019un passe d\u2019un r\u00eave, deuxi\u00e8me court m\u00e9trage r\u00e9alis\u00e9 par Antoine Sextier, Guillaume Louyot \/ Onickz Artworks a accompagn\u00e9 le film de sa mise en images jusqu\u2019\u00e0 sa finalisation, en assurant la direction de la photographie, le montage, l\u2019\u00e9talonnage [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1143,"template":"","categories":[],"tags":[234,251,104,265,62,44,38,237],"portfolio-categories":[169,166,165,168,172],"portfolio-tags":[],"class_list":["post-1141","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","tag-chef-monteur","tag-chef-operateur","tag-court-metrage","tag-directeur-de-la-photographie","tag-etalonnage-2","tag-france","tag-montage-2","tag-postproduction","portfolio-categories-chef-operateur","portfolio-categories-etalonnage","portfolio-categories-montage","portfolio-categories-photographie","portfolio-categories-post-production"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>L\u2019un passe d\u2019un r\u00eave \u2013 Image &amp; 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